A woman who has been employed by the McDonald’s Corporation for over 10 years says she was arrested last week after she confronted the company president at a meeting and told him she couldn’t afford to buy shoes or food for her children.
Nancy Salgado, 26, told The Real News that she felt like she had to speak out during McDonald’s USA President Jeff Stratton’s speech at the Union League Club of Chicago on Friday for the sake of her children.
“It’s really hard for me to feed my two kids and struggle day to day,” she shouted as Stratton was speaking. “Do you think this is fair, that I have to be making $8.25 when I’ve worked for McDonald’s for ten years?”
Salgado, who is still working at McDonald’s, said she had her hours cut following the arrest and feared further retaliation.
“The CEOs make millions and billions a year and why can’t they provide enough for their employees?” she wondered.
Sometimes I ask myself why it is that we accept that all citizens should get at least a baseline level of education for free, publicly funded, because it is a good thing for the country in general for its citizens to be educated, but we can’t agree to do the same for medical care?
And then I remember all the ongoing efforts to privatize and monetize schools and dismantle the public school system and I need a good stiff drink.
The Susan G. Komen foundation has a terrible recent history of pleasing their corporate sponsors & far-right supporters before actually helping women, and throws an outrageous amount of money towards promotion and merchandise in comparison to…
If you’re a boy writer, it’s a simple rule: you’ve gotta get used to the fact that you suck at writing women and that the worst women writer can write a better man than the best male writer can write a good woman. And it’s just the minimum. Because the thing about the sort of heteronormative masculine privilege, whether it’s in Santo Dommingo, or the United States, is you grow up your entire life being told that women aren’t human beings, and that women have no independent subjectivity. And because you grow up with this, it’s this huge surprise when you go to college and realize that, “Oh, women aren’t people who does my shit and fucks me.”
And I think that this a huge challenge for boys, because they want to pretend they can write girls. Every time I’m teaching boys to write, I read their women to them, and I’m like, “Yo, you think this is good writing?” These motherfuckers attack each other over cliche lines but they won’t attack each other over these toxic representations of women that they have inherited… their sexist shorthand, they think that is observation. They think that their sexist distortions are insight. And if you’re in a writing program and you say to a guy that their characters are sexist, this guy, it’s like you said they fucking love Hitler. They will fight tooth and nail because they want to preserve this really vicious sexism in the art because that is what they have been taught.
And I think the first step is to admit that you, because of your privilege, have a very distorted sense of women’s subjectivity. And without an enormous amount of assistance, you’re not even going to get a D. I think with male writers the most that you can hope for is a D with an occasional C thrown in. Where the average women writer, when she writes men, she gets a B right off the bat, because they spent their whole life being taught that men have a subjectivity. In fact, part of the whole feminism revolution was saying, “Me too, motherfuckers.” So women come with it built in because of the society.
It’s the same way when people write about race. If you didn’t grow up being a subaltern person in the United States, you might need help writing about race. Motherfuckers are like ‘I got a black boy friend,’ and their shit sounds like Klan Fiction 101.
The most toxic formulas in our cultures are not pass down in political practice, they’re pass down in mundane narratives. It’s our fiction where the toxic virus of sexism, racism, homophobia, where it passes from one generation to the next, and the average artist will kill you before they remove those poisons. And if you want to be a good artist, it means writing, really, about the world. And when you write cliches, whether they are sexist, racist, homophobic, classist, that is a fucking cliche. And motherfuckers will kill you for their cliches about x, but they want their cliches about their race, class, queerness. They want it in there because they feel lost without it. So for me, this has always been the great challenge.
As a writer, if you’re really trying to write something new, you must figure out, with the help of a community, how can you shed these fucking received formulas. They are received. You didn’t come up with them. And why we need fellow artists is because they help us stay on track. They tell you, “You know what? You’re a bit of a fucking homophobe.” You can’t write about the world with these simplistic distortions. They are cliches. People know art, always, because they are uncomfortable. Art discomforts. The trangressiveness of art has to deal with confronting people with the real. And sexism is a way to avoid the real, avoiding the reality of women. Homophobia is to avoid the real, the reality of queerness. All these things are the way we hide from encountering the real. But art, art is just about that.
”— Junot Diaz speaking at Word Up Bookshop, 2012 (via pearwaldorf)
it’s hard 2 be sad about ur body when you think of it as a landscape. you don’t criticise a mountain for being too big, or a valley for being too winding, and no one ever complains about the vastness of the sea. u are part of the earth and u are so beautiful friends.
“Imagine you’re at a party. A guy offers you a drink. You say no. He says “Come on, one drink!” You say “no thanks.” Later, he brings you a soda. “I know you said you didn’t want a drink, but I was getting one for myself and you looked thirsty.” For you to refuse at this point makes you the asshole. He’s just being nice, right? Predators use the social contract and our own good hearts and fear of being rude against us. If you drink the drink, you’re teaching him that it just takes a little persistence on his part to overcome your “no.” If you say “Really, I appreciate it, but no thanks” and put the drink down and walk away from it, you’re the one who looks rude in that moment. But the fact is, you didn’t ask for the drink and you don’t want the drink and you don’t have to drink it just to make some guy feel validated.”—The art of “no,” continued: Saying no when you’ve already said yes. (via watevacunt)
MANY OF YOUR FELLOW TUMBLR USERS — ESPECIALLY THOSE LIVING IN THE GREATER NYC AREA AT THE TIME — HAVE GREAT DIFFICULTY REVISITING THE EVENTS OF THAT DAY, PARTICULARLY WITH THE CONSTANT AND NIGH-INESCAPABLE MEDIA COVERAGE EVERY YEAR
PLEASE BE A CONSCIENTIOUS TUMBLR USER AND TAG YOUR 9/11 POSTS SO PEOPLE WHO CAN’T HANDLE SEEING THEM CAN BLACKLIST THEM ACCORDINGLY